{"id":895,"date":"2019-02-19T17:04:22","date_gmt":"2019-02-19T16:04:22","guid":{"rendered":"https:\/\/artcontent.eu\/?p=895"},"modified":"2019-02-21T12:32:51","modified_gmt":"2019-02-21T11:32:51","slug":"brafa-2019-kunst-zonder-grenzen","status":"publish","type":"post","link":"https:\/\/artcontent.eu\/nl\/brafa-2019-kunst-zonder-grenzen\/","title":{"rendered":"BRAFA Art Fair 2019 \u2013 Kunst zonder grenzen"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div id=\"attachment_903\" style=\"width: 8146px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artcontent.eu\/wp-content\/uploads\/2019\/02\/BRAFA2019_FabriceDebatty.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-903\" class=\"size-full wp-image-903\" src=\"https:\/\/artcontent.eu\/wp-content\/uploads\/2019\/02\/BRAFA2019_FabriceDebatty.jpg\" alt=\"\" width=\"8136\" height=\"5424\" srcset=\"https:\/\/artcontent.eu\/wp-content\/uploads\/2019\/02\/BRAFA2019_FabriceDebatty.jpg 8136w, https:\/\/artcontent.eu\/wp-content\/uploads\/2019\/02\/BRAFA2019_FabriceDebatty-300x200.jpg 300w, https:\/\/artcontent.eu\/wp-content\/uploads\/2019\/02\/BRAFA2019_FabriceDebatty-768x512.jpg 768w, https:\/\/artcontent.eu\/wp-content\/uploads\/2019\/02\/BRAFA2019_FabriceDebatty-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 8136px) 100vw, 8136px\" \/><\/a><p id=\"caption-attachment-903\" class=\"wp-caption-text\">BRAFA 2019 &#8211; photo by Fabrice Debatty<\/p><\/div>\n<p><strong>23 januari 2019 &#8211; Kunst kent geen grenzen. Het lijkt wellicht al te vanzelfsprekend om dat hier te zeggen, maar in onzekere tijden waarin grenzen in veel landen een prioriteitskwestie lijken te zijn geworden, is het misschien zinnig om het toch te zeggen. Sterker nog, om het ook te bewijzen! <\/strong><\/p>\n<p><strong>De 64e editie van de BRAFA Art Fair brengt 133 Belgische en internationale kunstgaleries samen van 26 januari tot 3 februari 2019 in Tour &amp; Taxis te Brussel. <\/strong><\/p>\n<p><em>\u2018Kunst zonder grenzen\u2019,<\/em> omdat BRAFA nooit eerder zo veel buitenlandse galeries mocht ontvangen: met 84 zijn ze, goed voor 63% van het totale aantal exposanten. Tegelijkertijd heeft de beurs nog steeds een sterk Belgisch aandeel. Daar kunnen we alleen maar blij om zijn, want dit bevestigt niet alleen de degelijkheid van de nationale markt, waar de mythe van de Belgische verzamelaar duidelijk nog steeds verleidt, maar ook de groeiende internationale aantrekkingskracht van de beurs, die met elke editie sterker lijkt te worden. De ideale programmering in het begin van het jaar, de centrale geografische ligging van Brussel, te midden van enkele van de meest welvarende gebieden van Europa, en de uitstekende verbindingsmogelijkheden, de kwaliteit van het Brusselse hotelaanbod en van de organisatie van de beurs, evenals de gemoedelijke sfeer <em>a\u0300 la Belge<\/em> die op het evenement heerst: stuk voor stuk criteria die ongetwijfeld bijdragen tot de aantrekkelijkheid van BRAFA.<\/p>\n<p><em>\u2018Kunst zonder grenzen\u2019,<\/em> omdat BRAFA van in het begin heeft ingezet op een mix van stijlen, tijdperken en herkomsten, en van eclecticisme en cross-collecting haar handelsmerk maakte. De verzamelaars en kunstliefhebbers van tegenwoordig kunnen die trend wel smaken, want zij stellen graag ensembles samen waarin antiek, modern en hedendaags naast elkaar bestaan. Zo kan een antieke buste perfect een plaatsje krijgen naast een Afrikaans masker of de ideale buurman zijn voor een beeldhouwwerk uit de twintigste eeuw, fraai in de kijker gezet op een achttiende-eeuwse commode met daarboven een designspiegel of een schilderij van de meester! We zien hierin ons hedendaagse tijdperk weerspiegeld, waarin we contacten leggen, consumeren, handeldrijven en reizen tot ver buiten onze grenzen en continenten.<\/p>\n<p><em>\u2018Kunst zonder grenzen\u2019<\/em> is ook een verlangen om kunst van alle continenten en culturen voor het voetlicht te brengen. Dat is ongetwijfeld al heel lang een van de sterke punten van BRAFA. Vanuit Afrika, Amerika, het Midden-Oosten, Azie\u0308 en zelfs het verre Oceanie\u0308 proberen talloze objecten de ogen van de bezoekers te openen voor andere vormen van kunst en expressie, voor andere weergaven en visies van de wereld. Ook deze nieuwe editie heeft weer heel wat nieuwe suggesties in petto!<\/p>\n<p><em>\u2018Kunst voor iedereen\u2019<\/em> is ook de rode draad in het volledige oeuvre van de eregast van BRAFA 2019, het beroemde Britse kunstenaarsduo Gilbert &amp; George. Ze zijn aanwezig met vijf fotomontages op groot formaat, die op verschillende plaatsen van de beurs worden gepresenteerd. Hoewel het duo al lang internationale erkenning geniet, haalt het zijn inspiratie steevast uit zijn dagelijkse leven in het hart van de Londense volksbuurt East End, uit de contacten met een kosmopolitische en niet per se bevoorrechte bevolking. Vervolgens vertalen ze dat alledaagse leven in grote thematische series, waarin ze onderwerpen aansnijden zoals seks, religie, corruptie, geweld, hoop, angst, racistische spanningen, vaderlandsliefde, verslaving of de dood. Wanneer het lokale universeel wordt, of een andere manier om \u2013 mentale \u2013 grenzen te doen verdwijnen&#8230;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Behalve dit prestigieuze duo wijzen we ook graag op de unieke tentoonstelling die <strong>ROCAD.be<\/strong> (de nieuw benaming van de <strong>Koninklijke Kamer van de Antiquairs en Kunsthandelaars van Belgie\u0308<\/strong>) organiseert ter gelegenheid van haar honderdste verjaardag. In een gedurfde scenografie pakt de vereniging uit met een veertigtal iconische kunstwerken, allemaal afkomstig uit prive\u0301collecties, die haar leden in de loop van haar geschiedenis hebben verkocht. Bij de tentoonstelling is ook een boek gepubliceerd dat het beroep van kunsthandelaar schetst van verleden tot heden, e\u0301n in de toekomst&#8230;<\/p>\n<p>Wat zou een bezoek aan BRAFA zijn zonder iets mee te pikken uit het aanbod van de <strong>BRAFA Art Talks<\/strong>? In deze dagelijkse lezingen komt een waaier van uiteenlopende onderwerpen aan bod. Zoals dat hoort in een jubileumjaar, staat Pieter Bruegel de Oude centraal in twee afzonderlijke presentaties, een in het Frans en een in het Nederlands. Verder zijn er lezingen over Bernard Van Orley, Peggy Guggenheim, de criteria die maken dat een kunstwerk als belangrijk wordt beschouwd, en twee rondetafelgesprekken in samenwerking met Eeckman Art &amp; Insurance en de Internationale Confederatie van Kunsthandelaars (CINOA).<\/p>\n<p>Tot slot preciseren we graag dat alle op BRAFA tentoongestelde kunstwerken en voorwerpen uiterst nauwgezet zijn onderzocht tijdens een strenge doorlichting (\u2018vetting\u2019) door een honderdtal onafhankelijke experts, met de medewerking van een wetenschappelijk laboratorium en het Art Loss Register.<\/p>\n<p>Kortom, in hartje winter wil BRAFA een venster zijn op de wereld, waarbij iedereen artistieke inspiratie kan komen opsnuiven en zich verbazen en verwonderen. Een beurs die de bezoeker aanzet tot nadenken en kijken met een andere blik. BRAFA biedt ongetwijfeld voor elk wat wils: het aanbod speelt in op alle eisen en budgetten, van de meest deskundige verzamelaar tot de eenvoudige beginner. Dit alles en nog veel meer is BRAFA.<\/p>\n<p>Hieronder volgt een \u2013 weliswaar onvolledige \u2013 selectie van kunstwerken en verzamelingen die u tijdens de 2019 editie zeker niet mag missen (deze informatie is enkel beschikbaar in het Engels).<\/p>\n<p><strong>Haute Epoque<\/strong><\/p>\n<ul>\n<li>At <strong>Mullany<\/strong> (stand 33b): an Infant Jesus of great delicacy draws the visitor\u2019s gaze, a work of Juan de Mesa (Co\u0301rdoba 1583 &#8211; 1627 Seville), Spain, c. 1619 \u2013 1623 and a Pieta\u0300 of great intensity by Luis de Morales (Badajoz c.1510-1511\u20131586 Alca\u0301ntara), Portugal, c. 1570 \u2013 1580.<\/li>\n<li><strong>Sandro Morelli<\/strong> (stand 63a) presents an outstanding wooden strong box with on the front two carved lions, five irons pendants with a very ornamental spiderweblock, decorative certosino inlaid with ivory nails, \u2018fake\u2019 secret drawers, from Lombardy, late XV century.<\/li>\n<li>The <strong>Galerie Sismann<\/strong> (stand 110c): specialist in European sculpture of the \u2018Golden Age\u2019 up to the 18th century, has this year put the emphasis on \u2018Flemish and Dutch Golden Age sculpture\u2019. To be particularly admired are a highly refined Baroque angel, from the entourage of Guillaume Kerricx the Elder in Antwerp circa 1700 and a Virgin and Child with the young John the Baptist in ivory, a work of great tenderness and virtuosity.<\/li>\n<\/ul>\n<p><strong>Pre-Columbian art<\/strong><\/p>\n<ul>\n<li><strong>Deletaille Gallery<\/strong> (stand 40b): creates unexpected parallels between an exceptional Codex Style vase with mythological scene Ceramic from Mexico, Guatemala, Maya Lowlands, 600- 900 AD and contemporary artworks in cardboard, masks and armours of Lilian Daubisse or a superb historical work in plaster of Georges Segal dating 1970.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Archaeology<\/strong><\/p>\n<ul>\n<li><strong>Galerie Harmakhis<\/strong> (stand 76c) highlights several masterpieces including an impressive Roman theatre mask dating back to the Ist Century AD, 75 cm high, a very pure head of a dignitary in basalt, Egypt, 19th Century (c.1292-1190 BC) and an elegant Ba-bird, Egypt, Ptolemaic Period, 3rd \u2013 2nd century BC, gilded and polychrome stucco on wood.<\/li>\n<li><strong>Axel Vervoordt<\/strong> (stand 75b) will celebrate its 50-year anniversary in 2019. Highlights include a votive face stele, exceptionally executed in bronze, from South Arabia, circa 200-100 BC. with a surprisingly contemporary aspect.<\/li>\n<li><strong>Phoenix Ancient Art<\/strong> (stand 8c) exhibits a beautiful Roman marble, 4<sup>th<\/sup> BC depicting the powerful superhero Hercules with the horn of Achelous. The sculpture was once part of the private collection of the New York restaurateur and art collector Jan Mitchell.<\/li>\n<li><strong>Galerie L\u2019Ibis<\/strong> (stand 44b) showcases a powerful head of Sekmet with a solar disk in diorite, New Kingdom, period of Amenhotep III, ca. 1410-1372 B.C.<\/li>\n<\/ul>\n<p><strong>Asian art<\/strong><\/p>\n<ul>\n<li><strong>Grusenmeyer-Woliner<\/strong> (stand 97d) displays a beautiful Stele of Vishnu in black stone, northeast India, Pala period, 12th c.<\/li>\n<li>A real eye-catcher is to be found at <strong>ArtAncient<\/strong> (stand 73b) with a larger than life stucco head of the Buddha, dating from the 4th century AD, a rare example of Buddhist art with a beautiful otherwordly expression, a fine polished surface and original polychrome.<\/li>\n<li>Not to be missed at <strong>Christophe Hioco<\/strong> (stand 132a) are two elegant bronze sconces representing dragons, Northern China, 11th-10th century BC (Western Zhou Dynasty), provenance from the famous David David-Weill collection, and a sandstone Umamahesvara from Northern India, 8th to 9th Century, Gurjara-Pratihara Dynasty, an excellent example of the grace and movement of Indian statuary of the medieval period.<\/li>\n<li><strong>Steinitz<\/strong> (stand 6c) continues to surprise us, with this Japanese lacquer marriage chest from the Edo era, 17th century. Japanese lacquer in Maki-e or silver on a black background; sculpted and gilded wood.<\/li>\n<li><strong>Pierre Segoura<\/strong> (stand 56a): exhibits a stunning pair of earthenware water jugs in Japanese enameled porcelain and with a gilded and chiseled mount. This pair of jugs dates from the Empo Tenwa period, around 1673-1683, the beginning of the Kakiemon style, produced in the kilns of Arita.<\/li>\n<\/ul>\n<p><strong>Old Masters<\/strong><\/p>\n<ul>\n<li>Pieter Brueghel the Younger (1564-1637\/38) is the guest of honour at the <strong>Galerie Florence de Volde\u0300re<\/strong> (stand 115c). His painting titled \u2018Wedding Dance in the Open Air\u2019, dated 1624, is an interpretation of a drawing by Pieter Bruegel the Elder, now lost. Its worldly theme, that of a dance, attests to the revolution of ideas engendered by the progress of humanism.<\/li>\n<li>At <strong>Costermans<\/strong> (stand 123b) \u2013 celebrating its 180th anniversary this year! \u2013 it\u2019s a portrait of a man by Gaspar de Crayer (1582 \u2013 1669), a work from Antwerp of great finesse painted in 1627, merits admiration.<\/li>\n<li><strong>Jan Muller Antiques<\/strong> (stand 129b) presents a beautiful Frans Francken II (Antwerp 1581 \u2013 1642) &amp; Ambrosius Francken (Antwerp ca 1590 &#8211; 1632), The passage of the Red Sea.<\/li>\n<\/ul>\n<p><strong>Furniture &amp; works of art XVIth-XVIIIth century<\/strong><\/p>\n<ul>\n<li>One outstanding item is the beautiful polychrome Boulle marquetry chest of drawers attributed to Nicolas Sageot (1666-1731), Louis XIV era, at <strong>Brun Fine Art<\/strong> (stand 118c).<\/li>\n<li>An elegant lady\u2019s writing desk (<em>bureau en pente<\/em>), Paris, Louis XV period, c1745\/55) executed by Bernard J.J. van Risenburgh, aka B.V.R.B. (1696-1766; mai\u0302tre before 1730) welcomes you to the stand of <strong>Ro\u0308bbig Mu\u0308nchen<\/strong> (stand 5c).<\/li>\n<li><strong>Theunissen &amp; De Ghellinck<\/strong> (stand 140a) offers elegant \u2019Scabello\u2019 chairs from Turin, circa 1740-1750. A similar model can be found in the Royal Palace of Turin.<\/li>\n<li><strong>Steinitz<\/strong> (stand 6c): shows an impressive bust of Bacchus in terracotta, circa 1645 by Lucas Faydherbe (Mechelen, 1617-1697) as well as Bust of Omphale, queen of Lydia, circa 1645. Provenance: from the artist&#8217;s collection, collection of his son Jan Lucas Faydherbe (1654-1704), in his house in Mechelen, province of Antwerp, Flanders, then by descent.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Contemporary art<\/strong><\/p>\n<ul>\n<li>Various works from Gilbert &amp; George, guest of honour, spread over the fair : to be admired at <strong>Albert Baronian<\/strong> (stand 65a), at <strong>Bernier\/Eliades<\/strong> (stand 110c), the series of the BEARD PICTURES, at <strong>Guy Pieters<\/strong> (stand 141a) or at <strong>Galerie Schifferli<\/strong> (stand 67a), a great historic work in black and white from 1980 called MAD.<\/li>\n<li>For her first entry, <strong>Gallery Sofie van de Velde<\/strong> (stand 18d) is organising an exhibition called \u2018Looking at the world through rose-coloured glasses\u2019 in a stand wreathed in a pink atmosphere. Her key piece is without doubt a bodice by the Mexican artist, Frida Kahlo.<\/li>\n<li>You are met at the entrance to the <strong>Gladstone Gallery<\/strong> (stand 96d) by an immense sculpture by Ugo Rondinone (223 x 91.4 x 71 cm) and a very fine Kapoor mirror or a delicate work by Alessandro Boetti.<\/li>\n<li>At <strong>Meessen De Clercq<\/strong> (stand 93d), a spectacular half bust of Herme\u0300s from French artist Benoi\u0302t Lemaire not be missed.<\/li>\n<li><strong>Patrick de Brock<\/strong> (stand 91d) shows a fine minimalist series by Imi Knoebel, dated 2018 where he works on the play of colour and form.<\/li>\n<li><strong>La Patinoire Royale \/ Galerie Vale\u0301rie Bach<\/strong> (stand 49a), confirms its predilection for kinetic and optical art and pays tribute to Franco-Venezuelian artist Carlos Cruz Diez (Caracas, 1923), a major practitioner of this art. Cruz Diez\u2019 spiritual filiation will be represented by the works of Gisela Colon (USA, 1966); her sculpture-paintings titled \u2018Pods\u2019, inspired by nature and femininity, are like cells with changing colours and a mother-of-pearl effect. An impressive table by Ado Chale, a Belgian blacksmith and artist, will be displayed as a counterpoint to this double show.<\/li>\n<\/ul>\n<p><strong>Tribal Art<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><strong>Didier Claes<\/strong> (stand 94d): has put together in a fine arrangement designed by Rene\u0301 Bouchara, a splendid collection of combs from the Democratic Republic of Congo. In this collection of prestige objects, we see primarily the Chokwe, Yaka, Luba and Le\u0301le\u0301 styles. In central Africa, the use of the <em>kisanola<\/em>, which means comb in Lingala, shows the importance attributed to body ornamentation, and in particular of the hair.<\/li>\n<li><strong>Serge Schoffel \u2013 Art Premier<\/strong> (stand 9c): shows a rare Black Uli figure with a wonderfully dark, sooty patina. The 19th-century sculpture was carved by the Mandak people of Papua New Guinea, New Ireland province. For the occasion, he also gathered a fine collection of some 30 Yoruba statues, an ethnic group found in Nigeria and in part of Benin.<\/li>\n<li><strong>Bernard de Grunne<\/strong> exhibits a powerful Fang statue from Gabon. The gallery offers an original group of statues by the Dinka people, a major ethnic group native to south-eastern Sudan.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\"><\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Comic strips<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><strong>Belgian Comic Strip Gallery <\/strong>(stand 99d): for the first time on the original comic strip drawings market, an exceptional set of three original compositions in India ink illustrating scenes from the adventures of Tintin in the Middle East; \u2018The Crab with the Golden Claws\u2019 and \u2018Tintin in the Land of Black Gold\u2019.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Jewellery<\/strong><\/p>\n<ul>\n<li><strong>Epoque Fine Jewels<\/strong> (stand 53a): offering a marvel of delicacy, a unique, museum-quality work; an Art Nouveau dog collar titled \u2018Glycines\u2019 made by the renowned Belgian goldsmith and jeweller Philippe Wolfers in 1901-1902.<\/li>\n<li>On <strong>Bernard Bouisset<\/strong>\u2019s stand 37b), the most precious object is a spectacular articulated bracelet of more than 60 carats, an unsigned French piece from the 1940s<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>20th century decorative arts<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><strong>Maison Rapin<\/strong> (stand 113c): has chosen a 1968 couch in leopard print, a rare piece emblematic of the radical Italian design collective Archizoom Associati (Florence, 1966-1974). Members of the anti)design movement, their much admired work was a critique of modernism and its propensity to promote consumerist societies.<\/li>\n<li>The <strong>Heritage Gallery<\/strong> from Moscow (stand 128b) will mark its debut at BRAFA 2019 with a remarkable table on rifle legs, made in Soviet Russia in the 1930s. The 1917 Revolution and its consequences were for the most part dramatic, but also offered unprecedented opportunities for artists as propaganda art became one of the new paths open to them. Decorated with hammers and sickles, the table glorifies the Revolution and its people. \u2018Work hard, gun alongside\u2019, as Vladimir Mayakovsky put it.<\/li>\n<li><strong>Galerie Le Beau<\/strong> (stand 102d): for its fourth participation, the Galerie Le Beau presents a selection of furniture connected to architecture by focusing on the Finnish architect and designer Alvar Aalto whose 1950 table lamp has become a rarity, and on Brazilian modernist design with Joaquim Tereiro, the founder of Brazilian modernist design, whose elegant three- seat sofa and a wonderful chaise-longue are sure to be eye-catchers. Other works include those of Israeli architect and designer Ron Arad, American design master George Nakashima and Danish designer Poul Henningsen.<\/li>\n<li>Exhibiting here for the first time, the Dutch <strong>Gallery Morentz<\/strong> (stand 86d) has selected some fine pieces: an outstanding Paul Evans (USA) cabinet from his first collection for Directional Furniture, a sculptural armchair designed by Martin Eisler (Austria) in 1955, and a rare wooden sculptural coffee table designed by Nerone and Patuzzi for Gruppo NP2.<\/li>\n<li><strong>Galerie Mathivet<\/strong> (stand 4c) presents a fabulous Fireplace mantel, circa 1900 of Carlo Bugatti (1856 -1940) is not be missed.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Glass, porcelain and ceramics<\/strong><\/p>\n<\/div>\n<div class=\"column\">\n<ul>\n<li><strong>Ro\u0308bbig Munchen<\/strong> (stand 5c) : among various treasures, a very rare pair of purple-ground baluster vases with polychrome chinoiserie scenes by Johann Gregorius Ho\u0308roldt (1696 \u2013 1775) and Johann Ehrenfried Stadler (1701 \u2013 1741), Meissen, c. 1728. These so-called Augustus Rex-vases, which bear the monogram \u2018AR\u2019 for Augustus Rex, August the Strong, who founded the first European porcelain manufactory in 1710 in Meissen. Only porcelain that was made for August the Strong himself or as diplomatic gifts was marked with this monogram.<\/li>\n<li><strong>Art &amp; Patrimoine Laurence Lenne<\/strong> (stand 130b): is exhibiting an elegant Vincennes porcelain vase by Charles-Nicolas Dodin (1734 \u2013 1803).<\/li>\n<li><strong>Marc Heiremans<\/strong> (stand 69b) presents a rare Battuto vase from Tobia Scarpa (Venice, 1935), For Venini, Italy, Murano, circa 1960.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Clocks<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>Two exceptional clocks from the famous clock-maker Robert Robin (1741-1799). One can be seen at <strong>Ro\u0308bbig Mu\u0308nchen<\/strong> (stand 5c). This is a table regulator with a small quarters -striking mechanism &amp; calendar by Robert Robin (1741-1799) and Joseph Coteau (1740-1801; mai\u0302tre in 1778), Paris, Louis XVI period, dated 1778, an enamel dial signed \u2018Coteau\u2019 and dated \u20181778\u2019, Movement signed \u2018Robin hor. du Roy\u2019.<\/li>\n<li>The other outstanding clock is at <strong>La Pendulerie<\/strong> (stand 111c), an important cabinet regulator clock, Paris, early Louis XVI, period 1776, enamelled by Elie Barbezat, dated 1776, case stamped Balthazar Lieutaud.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 6\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Gold and silverware<\/strong><\/p>\n<ul>\n<li><strong>Dario Ghio<\/strong> (stand 108c) is exhibiting a rare set of four candlesticks in silver, silversmith Michae\u0308l Filassils, Paris, circa 1714-1715, as well as a rare erotic cutlery set in ivory, silver and iron, Netherlands circa 1680.<\/li>\n<li>One of the focus points at <strong>Arschot &amp; Cie<\/strong> (stand 42b) will be a very sophisticated engraved and gilded goblet, decorated with polychrome enamel painted over copper, Augsbourg 1710, by Elias Adam, a brilliant silversmith, with enamel by Johan Aufenwerth.<\/li>\n<li>La <strong>Galerie Claude Bernard<\/strong> (stand 27c) presents a remarkable solo show of the work of French sculptor and goldsmith, Goudji, born in Georgia. His artwork combines dinandery technique with hard stone incrustations in metal. Around 70 pieces in gold and in silver have been brought together for this occasion.<\/li>\n<\/ul>\n<p><strong>19th, 20th and 21st Century Paintings<\/strong><\/p>\n<ul>\n<li><strong>Brame &amp; Lorenceau<\/strong> (stand 84c) are showing a rare, very beautiful, drawing in Indian ink made in 1917 by Pablo Picasso (1881-1973), entitled \u2018Parade: the French Manager&#8217; as well as an enigmatic oil on canvas &#8216;L&#8217;air Solaire&#8217; (1962) by Victor Brauner (1903-1966).<\/li>\n<li>At the <strong>Galerie von Vertes<\/strong> (stand 7c), an enigmatic sunset by French symbolist Odilon Redon (1840-1916) accompanies another magnificent play of colours by the German Gerard Richter (b. 1932), Ohne Titel (1.10.83), oil on paper, 1983.<\/li>\n<li>The outstanding display at <strong>Simon Studer Art Associe\u0301s<\/strong> (stand 16d) is dominated by a magnificent, great work by American painter Kenneth Nolan (1924 -2010), To Sea, produced in 1970 during his minimalist period, as well as a work by Niki de Saint-Phalle (1930-2002), &#8216;Graziella&#8217;, made in 1963-1964, an assembly of objects on a metal framework with lace and spray paint, mounted on a panel.<\/li>\n<li>At <strong>Repetto Gallery<\/strong>, London (stand 80c), which specialises in post-war Italian art, a whole wall is dedicated to presenting elegant ceramics by Fausto Melotti (1901-1986) from the \u201850s and \u201860s.<\/li>\n<li>The <strong>Galerie Shifferli<\/strong> (stand 67a) is also presenting a very fine drawing with primitive lines, by Louis Soutter (1871-1942), &#8216;Je dois les nourrir&#8217;, a late work produced when he was almost blind and was painting directly onto the paper with his fingers. This series is the most rare and sought-after by collectors.<\/li>\n<li><strong>Harold t\u2019Kint de Roodenbeke<\/strong> (stand 27c): presents &#8216;Les plongeurs&#8217; (The Divers) by Fernand Le\u0301ger (1881-1955), a gouache dating from 1944, which will attract attention for its wonderful colours and dynamics as well as its link with Parisian Galerie Louise Leiris of David-Henry Kahnweiler ou un beau Soulages de 1959.<\/li>\n<li>The <strong>Osborne Samuel Gallery<\/strong> (stand 81c) will be showing &#8216;Six reclining figures&#8217;, 1944, by Henry Moore (1898-1986). The six reclining figures in this wartime drawing are beautifully drawn sketches for sculpture typical of the artist&#8217;s working method. It will also exhibit a unique Lynn Chadwick (1914-2003), \u2018Three Standing Figures\u2019, 1955. This work was included in the Kassel Documenta of 1955, which led to Chadwick\u2019s invitation to the 1956 Venice Biennale where he won the International Sculpture Prize ahead of the expected winner, Alberto Giacometti.<\/li>\n<li><strong>Rodolphe Janssen<\/strong> (stand 94d) displays a beautiful Karel Appel with vivid colors, &#8216;Twee Figuren&#8217; from 1954, that had been acquired by Herge\u0301, the Creator of Tintin and was to be seen in his office.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 7\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Belgian Art<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><strong>Francis Maere Fine Arts<\/strong> (stand 55a): presents a beautiful Gustave van de Woestyne untitled &#8216;Early Spring, Young Girls with daisies&#8217; from c. 1920.<\/li>\n<li><strong>Galerie AB<\/strong> (stand 45b) presents a colourful and captivating gouache on paper, \u2018Untitled\u2019 of 1962, by the poet and painter Henri Michaux (1899-1984). The philosophy of Buddhism and Oriental calligraphy inspired Michaux who also experimented with psychedelic substances in the 1950s and 1960s. This work was once part of the collection of Daniel Cordier, a gallerist and celebrated figure of the French Resistance.<\/li>\n<li>On the occasion of the five hundredth anniversary of the death of Brueghel, in 2019, the <strong>Galerie Oscar De Vos<\/strong> (stand 117c) is showing painters of Laethem School for whom Brueghel was an inexhaustible source of inspiration. His landscapes describing the seasons or agricultural works are seen in the very fine painting titled &#8216;La Faucheuse&#8217; by (1902) Emile Claus (1849 \u2013 1924) and the snowy landscapes of Valerius de Saedeleer (1867 \u20131941).<\/li>\n<li><strong>Galerie Jamar<\/strong> (stand 66a): the Belgian painter Le\u0301on Spilliaert (1881-1946) is best known for his mysterious, Symbolist works, the subjects of which often came to him during his night-time strolls. The cheerful and bright &#8216;Girl in White&#8217; of 1912, is also not to be missed.<\/li>\n<li>Always somewhat puzzling, the work of the Belgian icon Rene\u0301 Magritte (1898-1967) remains fresh and interesting to behold to this day. The <strong>Omer Tiroche &#8211; Gallery<\/strong> (stand 10c) has this gouache of 1946, untitled &#8216;L&#8217;E\u0301cole buissonnie\u0300re&#8217; by Magritte.<\/li>\n<li>A fine work by the Belgian Anto Carte (1886-1954) \u2018The little harlequin\u2019, circa 1928, at the <strong>Lancz Gallery<\/strong> (stand 15d). His work is situated with grace and melancholy at the intersection of Symbolism and Naturalism, inspired by the life of miners, peasants and fishermen. His kinship with the Flemish Gustave Van de Woestijne is obvious.<\/li>\n<li><strong>Cortesi Gallery<\/strong> (stand 134a), a new arrival from London, specialising in European artistic movements of the 1960s to the present, has brought some very fine works by Walter Leblanc, who participated in the exhibitions of the Group ZERO.<\/li>\n<li><strong>Stern Pissarro Gallery<\/strong> (stand 121b): showcases a large work by Belgian artist Paul Delvaux, painted in 1948 and new to the market. This enigmatic work is an excellent example of Delvaux\u2019s famous series of female nudes often set in dream-likes landscapes.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Ancient and Modern Books<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li>An extraordinary, rare drypoint etching by Rembrandt (1606-1669), entitled &#8216;Les Trois Arbres&#8217; can be seen at <strong>Lex Antiqua<\/strong> (stand 50a) among the most sought-after landscapes. This work was exhibited at the Louvre from the early 19th Century and was the favourite print of the French avant-garde.<\/li>\n<li>The <strong>Librairie Callioppe<\/strong> (stand 50a) presents an original 1st Edition of &#8216;Frankenstein or the Modern Prometheus&#8217;, one of the first gothic novels in the English literary genre, a classic known all over the world and the precursor of French crime fiction.<\/li>\n<li><strong>L\u2019ABAC<\/strong> (stand 50a) exhibits a &#8216;Pornocrates&#8217; by Fe\u0301licien Rops (1833-1898), an original photograph signed by the artist.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Textiles and carpets<\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<ul>\n<li><strong>De Wit Fine Tapestries<\/strong> (stand 107c): a thousand flowers and plants bedeck this magnificent wool and silk tapestry, originating from Southern Netherlands and dating back to the early 16th century. This millefleurs style enjoyed the greatest popularity in French and Flemishtapestries during exactly that period.<\/li>\n<li><strong>N.Vrouyr<\/strong> (stand 31c): presents an unusual braided mat in oval shape and beautiful soft colours.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 8\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Objects of curiosity<\/strong><\/p>\n<ul>\n<li>Numerous unusual surprises await you at <strong>Finch &amp; Co<\/strong> (stand37b), including a sinuous Baroque mythological sculpture of the God Hercules wrestling the Giant Antaeus attributed to Antwerp sculptor Jan Pieter van Baurscheit the Elder, an unsual interesting set of twelve ivory historical caricature portrait reliefs depicting some of the leading Catholic clergy responsible for the revocation of the Edict of Nantes in 1685 and implicated in the subsequent persecution of the Protestant Huguenots, as well as a beautiful collection of 30 Oceanic Fijian Hardwoord &#8216;I Ulas&#8217; displaying the various types used for throwing or as missile clubs for hunting or fighting weapons.<\/li>\n<li><strong>Porfirius Kunstkammer<\/strong> (stand 47a): shows a Rose Engine Turned Box, a rare combined tobacco and snuff box of 1575, a splendid example of a Tudor work of Art.<\/li>\n<li><strong>Theatrum Mundi<\/strong> (stand 122b) has designed a stand around the theme of the moon. Here, the 21st century spirit of <em>Wunderkammer<\/em> combines a lunar stone with astronauts\u2019 costumes from iconic Hollywood films like the Aliens, or Armageddon, as well as various scientific instruments, such as a rare planispheric astrolabe in gothic style (14th-15th century, Paris) attributed to Jean Fusoris. Extraordinary unusual piece: the very fine skeleton of a Pteranodon longiceps in flying position, from the Upper Cretaceous period, 70-85 million years ago found in Western Kansas, USA.<\/li>\n<li><strong>ArtAncient<\/strong> (stand 86d): presents an exhibition called Maker Unknown, which explores the artistic and sculptural qualities of natural artworks and compare these to man-made antiquities.They displayed an exceptional, intact example of the largest egg ever laid (H: 30 cm), in excellent condition, an elephant bird (<em>Aepyornis maximus<\/em>) egg from Madagascar, dating to the 17th century or earlier. Equally spectacular, a huge, swirling mass of natural greyish-white sparkling sandstone which constitutes a gogotte formation. A magnificent example of one of nature\u2019s rarest and most aesthetic rock formations, discovered in the sand dunes of Fontainebleau, France, Oligocene, and dating back to circa 30 million years ago.<\/li>\n<\/ul>\n<p><strong>BRAFA &#8211; Brussels Art Fair \u2013 26 januari t\/m 03 februari 2019<br \/>\n<\/strong>Tour &amp; Taxis, Havenlaan 88 &#8211; 1000 Brussel<br \/>\n<a href=\"http:\/\/www.brafa.art\">www.brafa.art<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>23 januari 2019 &#8211; Kunst kent geen grenzen. Het lijkt wellicht al te vanzelfsprekend om dat hier te zeggen, maar in onzekere tijden waarin grenzen in veel landen een prioriteitskwestie lijken te zijn geworden, is het misschien zinnig om het toch te zeggen. Sterker nog, om het ook te bewijzen! De 64e editie van de [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":903,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[18,35,20,22,19,16,15,17,36,34],"class_list":{"0":"post-895","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-brafa","8":"tag-antiek","9":"tag-art-fair-nl","10":"tag-brafa","11":"tag-brussel","12":"tag-design","13":"tag-kunst","14":"tag-kunstbeurs","15":"tag-kunstcollectie","16":"tag-kunstmarkt","17":"tag-kunstverzameling","18":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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